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(Vocals, piano, 1906–76) Houston native Victoria Spivey cut her first sides for OKeh in 1926 and she was soon one of the most popular artists of the ‘classic blues’ era. An eloquent lyricist alongside her vocal gifts, Spivey worked steadily into the 1940s; in 1962 she emerged from retirement as the head of blues label Spivey Records, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(To-mas’ Loo-es’ da Vik-tôr’-ya) 1548–1611 Spanish composer After training as a choirboy at Avila Cathedral, Victoria spent his early adult life in Rome, prin­cipally at the Jesuit Collegio Germanico, as both pupil and teacher. He returned to Spain permanently in the 1580s, where he became the chaplain to Philip II’s sister, Maria; he remained there as organist ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1923–2005, Spanish Possessing fine musicianship and a warm, sincere stage presence, soprano de Los Angeles gained recognition when she won first prize in the 1947 Geneva International Competition. She performed the following year in London, then at the Paris Opéra in 1949 and the Salzburg Festival in 1950. After her Met debut in 1951, she was ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Vocals, 1895–1943) Atlanta-born Trixie Smith was a vaudeville trouper when, in 1922, she cut her first records on Black Swan. Although she did not have the vocal prowess of front-line blues stars like Bessie Smith (no relation), she recorded steadily until 1926 – often with top-flight jazz orchestras such as Fletcher Henderson’s – and sporadically thereafter. In the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The 1920s was, without doubt, the Jazz Age. Workers and the newly burgeoning middle class turned into consumers due to relatively higher wages. The international political advantages that came from having just won a major war buttressed a ‘lost generation’ of artistic types, who took up residence in Europe. New moral codes, sophistication and cynicism abounded. Some ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The first half of the nineteenth century was essentially a period of insurgence in Europe, from the French Revolution in 1789 to the series of uprisings that rocked the continent around 1848. Meanwhile, the Industrial Revolution was also underway, beginning in Britain, then spreading south through the rest of Europe. With these two strands of revolution came ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The early nineteenth century was a period of insurgence in Europe, beginning with the French Revolution in 1789 to the uprisings in 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution caused transformations in society: growing awareness of national identity, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The lyre has a distinguished history. It was the instrument used by the Greeks to accompany plays and recitations. Greek mythology tells us that the lyre was created by Hermes, the son of Zeus, from a tortoise shell. Singing to the accompaniment of the lyre was thought to promote a sense of justice. Construction The lyre is formed of ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Donizetti’s three-act comic opera, Don Pasquale, full of fun and infectious humour, was first performed at the Théâtre Italien in Paris on 3 January 1843. There was no hint here of Donizetti’s failing health, but as time proved, Don Pasquale was among the last of his remarkable total of 67 operas. The first performance was a ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

In March 2013 it was announced that ‘David Bowie is’ – an exhibition at London’s Victoria and Albert Museum – had become the fastest-selling in the institution’s history. The traditionally minded V&A had clearly cottoned on to the fact that Bowie, more than any music icon, enabled them to fulfil their remit of exploring art and design in the ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

1811–69, Italian The Italian soprano Giulia Grisi made her debut at age 17 in Bologna, singing in Rossini’s Zelmira. Three years later, in Milan in 1831, Grisi created the role of the priestess Adalgisa in Bellini’s Norma – a part he wrote especially for her. Her Paris debut followed in 1832, when she sang the title ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Joo’-sep-pa Ver’-de) 1813–1901 Italian composer Verdi composed 28 operas over a period of 54 years. In his native Italy he became immensely popular early in his career, and by the time he died he was idolized as the greatest Italian composer of the nineteenth century. In other musical centres of Europe it took a little longer for Verdi’s genius to be ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

February Producer Upheaval As producer and friend, Rob Cavallo had been pivotal in Dookie, Insomnia and Nimrod but the band thought change might stimulate their next album and turned to Scott Litt who had been crucial in delivering R.E.M.’s finest work. Litt saw the band perform their first acoustic-only set at Neil Young’s Bridge Street fundraiser ...

Source: Green Day Revealed, by Ian Shirley

1923–2006, Romanian An Eastern European exile whose family was executed by the Nazis during the Second World War, Ligeti was a composer with a neo-Dadaist penchant for the absurd, and a musical style that varied wildly from one piece to another as each work became a world unto itself. While in Germany, Ligeti acquainted himself with the ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Vocal/instrumental group, 1985–present) The Jayhawks grew out of the same Minneapolis scene that produced Hüsker Dü and The Replacements, but the rock band led by Gary Louris (vocals, guitar, b. 1959) and Mark Olson (vocals, guitar, b. 1961) turned in a folkier, more country direction in reaction to their neighbours. After two small-label albums ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

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Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.